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Creative Australia Awards 2026 recognise arts practices from poetry to punk rock
Twelve artists – across disciplines including dance, literature, community arts and contemporary music – are recognised in this year’s Creative…
The Hiding Place review: a wicked satire of modern life
In Kate Mildenhall's crime novel The Hiding Place, being a good person is harder than you think.
Silence is my Habitat: Jessica White's essays are a powerful search for connection
In the moving non-fiction collection Silence is my Habitat, Jessica White considers the impact of deafness and environment on her…
Burnie Arts opens after $20.5 million redevelopment
The redevelopment of the original 1976 civic centre was carried out while staff kept working in the building and exhibitions…
Titus Andronicus review: a deep cut of the Bard's bloodiest revenge play
Taking on the Titus Andronicus is no easy feat, though this impressively scaled Theatre Works production takes a good stab…
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
AusArt Day, first ever government-backed giving day for the arts: was it a success?
Billed as an important new initiative to boost arts philanthropy, Creative Australia’s inaugural AusArt Day achieved mixed results.
5 questions for Andrew Sloan, author of Why Things Feel F*cked
Psychotherapist Andrew Sloan's new book – Why Things Feel F*cked – aims for modern solutions to our age-old sense of…
Cocteau’s Circle review: champagne sparkles with the ACO
Led by the inimitable Le Gateau Chocolat, the Australian Chamber Orchestra’s Cocteau’s Circle is sublime.
EUSEXUA Afterglow review: FKA twigs returns at her rawest
Afterglow is confident in itself – a messy and oftentimes chaotic release of sensuality and liberty from FKA twigs.