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How temporary artworks change the way we see the world
A free outdoor art gallery has transformed the streets of Werribee City Centre, temporarily changing the way locals perceive and…
Deep cuts at ANU's School of Art and Design
Australia's Craft and Design community will be severely impacted by the implementation of proposed cuts to the Australian National University's…
Meet Robert Watkins, Ultimo Press' Publishing Director
Former Head of Literary at Hachette Australia, Robert Watkins brings 20 years of experience to his role as publishing director…
Meet our keynote speaker: Hyperallergic editor Hrag Vartanian
Editor-in-chief and co-founder of New York-based arts news site, Hyperallergic, Hrag Vartanian will present the keynote speech for Artshub’s Visions…
Opinion: Is the Victorian Budget 2020-21 enough to revive our creative economy?
Victoria's Shadow Minister for the Arts, David Davis, argues that the state needs to safely increase its audience capacity in…
Nurturing staff is the best recovery plan for publishers in the post-COVID world
Sam Missingham’s keynote address at SPN's Independent Publishing Conference acknowledged the success the publishing industry has had during COVID but…
On the Move: Latest sector appointments and departures
Copyright Agency announces new board members, Windmill's Associate Director, landscape architect joins Sydney Modern project, and more.
Hope and loss: Visions 2020 with Sophie Cunningham
In the latest episode of our podcast, author and editor Sophie Cunningham reflects on the challenges of 2020 and the…
Dance Review: SITU-8, State Theatre Centre of WA
The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true…
Theatre Review: STC's The Picture of Dorian Gray, Roslyn Packer Theatre
No shortage of portraits on the Sydney Theatre Company stage as Oscar Wilde is re-envisioned and revered by a remarkable…