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The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.
No Dancing in the Lift, Mandy Sayer review: a vivid memoir
Sayer's No Dancing in the Lift paints an intimate portrait of an unconventional childhood.
Best opportunities, grants and awards for creatives: 1-7 September 2025
Drawing prize open for entries, grants available for festival ideas that celebrate older people’s creativity and more opportunities.
Speaking in Tongues review: Bovell's script comes alive in Black Swan's hands
Speaking in Tongues by Black Swan somehow manages to be funny, serious, flippant and profound.
Ryoji Ikeda review: 2025 Now or Never’s spirit captured in this sonic-visual masterpiece
Blinding light and digitally synthesised ‘noise’ rattle the body and open a portal to another universe.
How NIDA’s MFA (Cultural Leadership) is helping Merindah Donnelly change the arts sector for the better
The BlakDance Executive Producer and Co-CEO says studying and analysing different forms of cultural leadership at NIDA has had significant…
Athlete-turned-artist wins one of Australia’s most lucrative art awards worth $100k
Sophie Cape was once destined for the Olympics, but now she has brought that raw energy to her art –…
2026 Adelaide Festival reveals its first two productions
Fearless French actor Isabelle Huppert and acclaimed early music specialists Ensemble Pygmalion will perform exclusively at the 2026 Adelaide Festival.
After Bendigo: 4 reasons free speech for artists benefits society as a whole
The disastrous attempt to impose a restrictive Code of Conduct on Bendigo Writers Festival participants offers some important lessons on…
AGNSW staff to walk off in protest at noon today (28 August)
AGNSW is planning to slash 51 jobs, all public-facing except one, and the public sector union has responded.