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Theatre review: At What Cost?, Belvoir
A timeless tragedy that prompts questions about land and (Indigenous) identity.
Theatre review: The Wedding Singer, Arts Centre Melbourne
A fizzy delight of a show: sweet and effervescent.
What I learnt over my 15 years as a gallerist
Moving to Australia with no network of artists or collectors, Dominik Mersch says that sharing stories has been the key…
Back to Back’s ‘Shadow’ set for SXSW premiere
‘Shadow’, a film made collaboratively by people with disabilities, will have its world premiere at South by Southwest in March.
On the move: Latest sector appointments
New Chairs for ARTRAGE and Music SA, Director-General of the National Library of Australia reappointed, and more.
Exhibition Review: Looking Out/Back/In, AGWA
Interactive geometric design in playful response to the building's architecture.
Was the Sydney Festival boycott justifiable to support Palestine?
Dr Ben Saul, Professor of International Law at The University of Sydney, explains why boycotts are needed and necessary.
Australian comedy and streaming? It’s Mad as Hell
Shaun Micallef’s show is the best Australian comedy of the last decade. For the best of the rest, look to…
The best tabletop games to play at parties
The best party board games are easy to learn, simple to set up, and great fun for everyone. Here's a…
A new trend: artist car boot sales
Is it about broadening opportunities for artists in our post-pandemic world, or downgrading the value of professional practice?