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Diana Glenn. A smiling middle-aged woman with a brown crop and wearing a short sleeved pink shirt, with an AFTRS lanyard stands in front of green foliage.
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Diana Glenn on the screen business course that’s training ethical, entrepreneurial leaders

After a 30-year acting career, Diana Glenn has changed how she works and thinks thanks to the Master of Arts…

A kitchen scene. Two women are on the left at a table, one seated, another perched on the table. A man is on the right, riding a tiny child's tricycle. The Children.
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Theatre review: The Children, Heath Ledger Theatre, WA

Environmental disaster and the rocky affairs of the heart are braided in this production.

Two male art students in studio making silk screen prints. NAS.
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A giant gibbon installation on top of the roof of Carriageworks.
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Skywalker Gibbon installation on the Carriageworks roof

A large-scale inflatable ape will be on show on as part of Sydney Contemporary.

Two woman are enshrouded in darkness. The one on the left, who has short dark hair, is holding a lamp. The other one has long white hair. The Turn of the Screw by Hayes Theatre.
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Opera review: The Turn of the Screw, Hayes Theatre

Director Craig Baldwin and the Hayes Theatre Co breathe new life into a Benjamin Britten classic.

UTS Creative Arts. Two young men of Asian appearance sit at a mixing desk in a production studio.
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Sulari Gentill, Lucinda Gifford (F), Amy Doak, Alison Goodman, Christine Keighery, Monica Vuu, Andrew Harrison (representing Rebecca Hazel, Kelly Gardiner and Carmel Shute at Sisters in Crime's 24th Davitt Awards.A group of smiling women and one man hold books and prizes in front of a banner that reads Sisters In Crime.
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Opportunities and awards

This week's opportunities and awards include grants from Carclew, the winners of Sisters in Crime's 24th Davitt Awards and more.

Anna Yen plays Mrs Chen in ‘AI May’, an elderly migrant mother grappling with grief in an increasingly lonely society. An elderly Asian woman wearing a sage coloured hoodie is holding a burning incense in her hands, she appears to be praying with her eyes closed.
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A diasporic theatrical take on AI, with an Asian immigrant mother in futuristic Brisbane

In a new bilingual theatre production, an immigrant mother seeks solace in a humanoid following the death of her daughter.

Two panels: Left is author Katerina Gibson who ha short dark hair. She is wearing a singlet and standing in front of a pale painting that has an image of a skull and a close up eye. The right panel is the cover of her book, with 'The Temperature' broken up against a swirly, multi-coloured background and a shadow of a person.
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Book review: The Temperature, Katerina Gibson

Six characters whose lives intersect in a novel that takes the pulse of the times.

Installation view of an exhibit at SA Museum. 2021 showing a cabinet of fossils in jars and a bark shield hanging in mid-air.
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Outcry over SA Museum restructure reveals systemic government funding cuts

An overwhelming public backlash to a proposed SA Museum restructure prompted the SA State Government to tell the Museum to…

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