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NGA launches its 2025 exhibition program, early
In an unprecedented early announcement for the visual arts, the National Gallery has laid out its 2025 program for early…
Art playgrounds promise new opportunities for artists
Art playgrounds have become of Australians favourite ways to engage with culture. Events such as 'Lightscape' present new opportunities for…
Message to arts boards in the wake of MSO crisis
In a tough time for arts leaders, some in the sector are speaking up about arts governance structures... Is it…
Festival review: Jean Paul Gaultier’s Fashion Freak Show, South Bank Piazza
This semi-autobiographical stage show exploring the French fashion designer’s life and career is visually splendid but, ironically, lacking in theatrical…
An insider's take on the success of Sydney Contemporary art fair
This year's Sydney Contemporary art fair was creatively a bit dull, but a solid income earner for the majority of…
Theatre review: Hamlet, fortyfivedownstairs
A few directorial choices let down this otherwise fine contemporary interpretation of 'Hamlet'.
Book review: Madame Brussels, Barbara Minchinton
A biographical insight into one of early Melbourne's most successful businesswomen.
Festival review: Renfield, Edinburgh Festival Fringe
A solo show that took full advantage of Edinburgh's Gothic ambience.
Grief, hilarity, classics and culture are celebrated in Belvoir’s 2025 season
Artistic Director Eamon Flack has launched a season of nine plays for Belvoir’s 2025 subscription season.
Deakin University research shows taking risks can build diverse audiences
Deakin University has released the findings of its most recent research into arts organisation audiences, and the outcomes are interesting.