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Footprints in damp sand, with a paid of feet just visible at the edge of the frame.
Features

Why rest is good for you and your creativity

When was the last time you felt rested? If you’re racking your brain to remember, read on.

a graphic of two small bloack human figures with briefcases walking away from each other against a yellow background
Features

Losing long-term sponsors: crises or opportunities?

It’s often said that all good things must pass. But how many positives can you draw from the end of…

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Performance review: PENDULUM, Melbourne Fringe

The mesmerising choreography of dancers in concert with swinging bells.

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Theatre review: I is Maggie

A clear-eyed insight into the conditions of migrant labour in an industrial laundry.

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Theatre review: The Briefing, Melissa McGlensey

A political satire at Melbourne Fringe that takes a swipe at many targets.

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Concert review: Exhilaration, Adelaide Symphony Orchestra

Pianist Alexander Gavrylyuk plays Prokofiev with outsanding clarity and precision.

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Curatorial tour de force bids goodbye with major ‘Transitions’ bark exhibition

Diane Moon, Curator, Indigenous Fibre, at QAGOMA bids farewell after 20 years in the role with a must-see exhibition that…

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First Nations ceramics with a matriarchal awakening

Indigenous Ceramics Award inaugural feature artist Penny Evans showcases her newest site-specific work at the Shepparton Art Museum alongside 2022…

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Book review: Childhood, Shannon Burns

Shannon Burns’ raw memoir balances eloquence with visceral experience.

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Theatre review: Triplets

Three times the delight in this stand up show.

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