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Theatre review: The Director, reUnion district, Launceston
The Director merges the realms of theatre and funeral directing, alongside the tragic and the comic.
How funding woes inspired a new home for live art
Launceston’s Assembly 197 is a new approach to art-making that celebrates the spirit of community and collaboration.
Dance review: Body Body Commodity, Earls Arts Centre, Launceston
The lines between object, body and product blur as five female performers animate and interact with a mass of pastel…
Exhibition review: We Are Electric, UQ Art Museum
An exhibition about energy that promotes the collective over Darwin's theory of 'survival of the fittest'.
What Christie's investment in Art Money means for Australian artists
Art Money CEO Paul Becker reveals what it means to bring Christie’s on board this Aussie-founded, global marketplace for art.
Music review: Mosaics: Contemporary sounds of Melbourne, Sidney Myer Music Bowl
A rich musical program in the second instalment from the Melbourne Symphony Orchestra's free Sidney Myer Bowl series.
Performance review: Kae Tempest, Perth Festival
Storytelling, song, poetry –Tempest defies categories.
Book review: Little Plum, Laura McPhee-Browne
Little Plum conveys the emotional essence of changeable states with nuanced insight.
Are calls to cancel two Palestinian writers from Adelaide Writers’ Week justified?
Denis Muller from the Centre for Advancing Journalism at the University of Melbourne examines the case for cancelling two contentious…
So you want my arts job: Damian Callinan, comedian
There’s more to comedy than just making people laugh, Damian Callinan explains.