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Two panels. The left shows a photo of an Asian woman with long black hair, wearing a white dress and carrying a pink rose. The right panel shows the book cover of 'Safe' Space, which is pink.
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Book review: Safe Space, Alyssa Huynh

A memoir that tracks the author's lived experience with racism as an Asian-Australian woman.

A grid of 18 prints in shades of blue are attached on a wall.
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Exhibition review: Michelle Hamer: I'm a Believer, Linden New Art

A series of prints that explores chronic health issues through a lens of gendered language, access, and erasure.

Two panels. On the left is the cover of the book with 'The Work' written on a diagonal slant in white and yellow against a skyscraper background. On the right is a blonde woman wearing a white blouse standing against large window panes.
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Book review: The Work, Bri Lee

Old and new art mix with old and new values in this debut novel from Bri Lee.

A woman is standing in front of a red curtain drape. She has dark hair and is dressed in black, with red trim. She is gesticulating, with arms stretched out, dramatically.
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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel

A cabaret tribute to the scandalous19th century dancer and performer.

Standing at a podium, his eyes closed in concentration, a bald-headed white man wearing a black suit and white shirt conducts an orchestra.
News

Singapore Symphony Orchestra set for 2025 Australian debut

Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…

Experience ‘Sunrise Journeys’ at Ayers Rock Resort, Uluṟu. Photo: Supplied. First break of dawn with Uluṟu in the background among the desert environment.
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A sunrise like no other – wonders of Country shared through Indigenous agency

Aṉangu artists share their deep connection to Country in a bespoke sunrise experience designed to captivate and entrance in Uluṟu.

A black and white photograph of three members of the Deaf Indigenous Dance Group, all of whom stand with their backs to the camera. The photo is focused on a central figure who wears a grass skirt and holds clapping stocks behind his back. A figure in shorts stands to his left, and another figure in a loincloth stands to his right.
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Deaf in dance: feeling the beat

‘Deaf in dance’, a free showcase featuring photos, artworks and stories from the Deaf Indigenous Dance Group (DIDG) is on…

Festival of Dangerous Ideas return to Carriageworks. Photo: Courtesy of FODI. A chaotic stage with a person wearing an earth globe on its head and the signs ‘it doesn’t have to be THE END’.
News

Can a festival provoke for all the best reasons?

At the Festival of Dangerous Ideas, nothing seems to be off the table – from a meditation on genocide to…

Opinions & Analysis

Talking about languages and why sovereign peoples don’t want to be called Indigenous

A recent panel discussed the importance of language and self-determination for First Nations people.

Exterior of old building with contemporary mirror entry. The Potter.
News

The Potter announces reopening exhibition for 2025

The Potter Museum of Art will reopen in 2025 with an epic rewriting of art history.

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