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Strikes at Victorian universities: anger, exhaustion and a sense of injustice
With more than 70% of teaching-only staff casually employed and millions owed in "wage theft", university workers are desperate for…
Dance review: Architect of the Invisible, State Theatre Centre of Western Australia
Contemporary dance merges with classical literature in this symbolic reimagining of Dante Alighieri’s 'The Divine Comedy'.
Find your screen industry collaborators with endless possibilities
AFTRS’ Master of Arts Screen: Business boasts a cohort of like-minded professionals who are on the same track to innovate,…
World of WearableArt goes beyond imagination
2023 World of WearableArt: BEYOND was an exploration into a boundless realm where artistry, innovation and imagination intertwined.
New Powerhouse commission places writers in museums
In the first of a new writing series linked to its collection, Powerhouse focuses on pioneering computer programmer Ada Lovelace,…
Performance Reviews: HIGH PONY, LOOPS, Black Widow, Melbourne Fringe Festival
Four Melbourne Fringe Festival works show the range on offer, from comedy to circus, cabaret and street tours.
Dance review: Angela Goh Axe Arch Echo, AGNSW
Goh's meta-narrative of obstruction and negative space projected intrigue in fearful symmetry.
Theatre review: Lady Day at Emerson's Bar & Grill, Belvoir St Theatre
Every element of this journey into the closing stages of Billie Holiday's life and career is entrancing from start to…
Vale Cal Wilson
New Zealand-born, Australian adopted comedian Cal Wilson was one of the kindest and most genuine people in comedy, and will…
Theatre review: The Paper Escaper, Theatre Royal Studio, Hobart
The Paper Escaper follows the adventures of a character who wants to leave a pop-up book and write their own…