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Tarnanthi 2023 weaves personal stories with skyward visions
From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…
Exhibition review: Vincent Namatjira: Australia in Colour, Art Gallery of South Australia
Namatjira's paintings examine the politics of history, power and leadership from a contemporary Aboriginal perspective.
The Moving State of Circus: opening keynote from the Australian Circus Summit
The keynote speech by Darcy Grant, Artistic Director of Gravity and Other Myths, presented last week at NICA’s Australian Circus…
Book review: Late, Michael Fitzgerald
A speculative 'what if?' novel inspired by Marilyn Monroe.
Interview with the creatives behind Sweet Juices
In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.
Music review: Angel Strings and K Mak, Scienceworks Planetarium, Melbourne Fringe Festival
A successful marriage of cosmic imagery and ethereal music.
Performance reviews: Exhumed: The ‘Best’ of Bradley Storer, Leather Lungs: Happy Ending, Baba, Melbourne Fringe Festival
Three impressive shows at Melbourne Fringe Festival: two cabarets that touched on big and personal themes and a moving tribute…
Performance review: All the Fraudulent Horse Girls, Trades Hall, Melbourne Fringe Festival
A queer coming-of-age production that involved a fever dream of horses and the novelist work of Cormac McCarthy.
Theatre review: Frankenstein, Playhouse Theatre, QPAC
Shake & Stir Theatre Co's adaptation of Mary Shelley's classic tale mixes traditional and modern theatre together to create a…
Performance Review: Paradise or the Impermanence of Ice Cream, Space Theatre, OzAsia Festival
A brilliant monologue brimming with existential angst and traditional Indian ice cream.Â