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In a production of 'Years Years Bears', two women in colourful headscarves and sunglasses. One is standing behind the other and placing her hand over the other woman's mouth.
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Theatre review: Years Years Bears, Trades Hall

A promising mystery story still finding its feet.

Two panels. On the left is author Zoë  Foster Blake, wearing a tan long sleeve top. She has short dark hair. On the right is the cover of her book, in white handwriting against a clash of different colours and design.
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Book review: Things Will Calm Down Soon, Zoë Foster Blake

The pitfalls and rewards of juggling business and a personal life: a guide in fictional form.

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Theatre review: Why Not Believe in Everything?, Club Voltaire

Laura Fisher’s first play is poetic, vibrant and very funny. 

A performer on stage who is of Asian descent with a female-appearing body, wearing a nude slip. The performer is sitting on the side, holding a cup on top of the coffee machine and balancing a book on their head.
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Performance review: Girl's Notes, Melbourne Recital Centre

A performance that took inspiration from a book on how women should behave.

The ACT's Shadow Minister for Arts Nicole Lawder, discusses arts policy in the lead-up to the ACT election. Nicole wears a bright pink jacket and has neat brown hair; she stands on a wooden bridge over a misty lake with her right hand on her hip and her left hand on the bridge railing.
Opinions & Analysis

ACT election: Supporting artists, not just creative infrastructure, through real growth in the arts budget

A Canberra Liberals Government will support local artists by offering immediate financial relief through a one-off 10% increase in grants…

A sequence from Rafael Bonachela’s 'Somos', which is featured in Sydney Dance Company's 2025 season. A female dancer, long dark hair cascading towards the floor, holds one leg up in a sharply vertical position as she falls back into a shirtless male dancer's arms.
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Stephen Page and William Barton collaborate for Sydney Dance Company’s 2025 season

The fruits of Sydney Dance Company’s annual New Breed showcase of emerging choreographic talent, as well as new works by…

Image: Canva
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$1 million pilot program: the NSW Screen and Digital Games Strategy for 2025 and beyond

NSW launches a million-dollar program, AI working group and more in a strategy to boost the screen industry.

The late Ryuichi Sakamoto will perform in a virtual performance at Asia TOPA 2025. A white-haired Japanese man in dark glasses and a black shirt poses for the camera with his raised hands held to his lips.
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Ryuichi Sakamoto performs from beyond the grave for Asia TOPA 2025

Melbourne’s Asia-Pacific Triennial of Performing Arts returns in February 2025, with the first two program highlights revealed today.

A cinema with a screen showing a man, Ben Gillies, formerly of Silverchair, standing with his legs and arms apart at a CLIPPED video session.
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CLIPPED Music Video Festival returns

The country's sole music video festival returns with premiere screenings, conversations and awards.

Multi screen video installation in black and white of woman looking at African objects. Isaac Julien.
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Exhibition review: Isaac Julien, Once Again... (Statues Never Die), MCA

A spectacular exhibition asks the big questions about how museums collect, and show, artworks with Black histories.

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