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REVIEW: Emanuel Gat Dance Company - Adelaide Arts Festival

Forming his company in 2004, Israeli choreographer Emanuel Gat makes his Australian debut with three very personal and distinctive dance…

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Opinions & Analysis

The Harry Potter effect in contemporary culture

It was like a scene out of Harry Potter. One of the many exhibitions that captivated me during my time…

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Opinions & Analysis

The end is the beginning: how to write a great opening paragraph for your novel

I recently had a client who submitted three-quarters of her manuscript for editing. She didn’t send me the ending, because…

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Features

Art Is Today - An Oz/Indo Celebration of Art and Urban Life

If you are lucky enough to have gotten a $150 ticket to see Bjork perform on the Opera House steps…

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Opinions & Analysis

Music Hub

Considering a career in music? Be part of the Music Hub teaching network in Regional NSW. As 2007 draws to…

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REVIEW: Brindabella , BalletLab (Melbourne)

A contemporary dance adaptation of Beauty and the Beast (La Belle et La Bete) has a clear abundance of imagery…

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Opinions & Analysis

Louise Feneley and Renate Nisi

One of my birthday treats this year was to attend the opening of a sumptuous exhibition by my friend, Louise…

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Opinions & Analysis

The Edge of Asia

September marked the second anniversary of the Asian Art Report, curiously when I was at the utmost extreme edge of…

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REVIEW: Over the edge of sanity, Melbourne Fringe Festival

Macabre, edgy, insane? Defector Art Theatre’s short play bonanza sure tries to be.

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Opinions & Analysis

Come back Karl. All is forgiven.

Once upon a time, in a dark night for capitalism, we used to ask difficult questions of ourselves, our friends…

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