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SYDNEY OPERA HOUSE REVIEW: Sa Dingding
Hemispheres is the world music programme of the Sydney Opera House, bringing to Sydney a wide range of artists from…
MELBOURNE ARTS CENTRE REVIEW: Natacha Atlas
At Natacha’s Melbourne show at the Arts Centre, the audience was treated to this ‘East meets West’ medley, of mesmerizing…
ADELAIDE FRINGE FESTIVAL REVIEW: Ashes to Ashes: songs of loss and longing
Up until this night I had never heard of or seen a ‘uni-tard’. I certainly wouldn’t have expected my first…
ADELAIDE FRINGE FESTIVAL: Chopper’s F*ckin Bingo Starring Heath Franklin
Adelaide Fringe Festival's Chopper’s F*ckin Bingo Starring Heath Franklin is currently showing at the plush red and gold drapes of…
ADELAIDE FRINGE FESTIVAL: Black Coffee
ADELAIDE FRINGE FESTIVAL Black Coffee: Set in a 1950’s club named Black Coffee, this show comes alive with the energy…
ADELAIDE FRINGE FESTIVAL REVIEW: The Planets
The Adelaide Fringe Festival's The Planets was originally composed by Gustav Holst, back in 1913, and was first performed in…
ADELAIDE FRINGE FESTIVAL REVIEW: 1000 Years of German Humour
Adelaide Fringe Festival's 1000 Years of German Humour brings plenty of humour to the soul and provides a chance to…
ADELAIDE FRINGE FESTIVAL: Circus Trick Tease
ADELAIDE FRINGE FESTIVAL - Circus Trick Tease is performed in The Garden of Unearthly Delights in Adelaide’s East End, and…
CHUNKY MOVE DANCE REVIEW: Mortal Engine
The Melbourne production of Chunky Move's Mortal Engine received an acclaiming and enthusiast welcome on its opening night in Melbourne…
ADELAIDE FRINGE FESTIVAL REVIEW: Make Me Honest, Make Me Wedding Cake.
'Make Me Honest, Make Me Wedding Cake.' is showing at The Stables, just behind The Stag Hotel in the East…