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Tim Ferguson's principles of writing comedy
CURRENCY PRESS: The thing about laughter, says Tim Ferguson, is that you’re not in conscious control. It’s coming from the…
‘Believe’ by Peter Sharrock
TANDANYA: An Indigenous artist of Eastern Arrernte descent, Sharrock works in a variety of mediums, including acrylics, ochre and ceramics,…
From hillside hippy to Festival Director
Jeff Moorfoot never wanted to follow the rules or be a photographer, yet now finds himself founder and Festival Director…
Side To One
ADELAIDE FESTIVAL CENTRE: Lisa Griffiths and Craig Bary present a new dance work which is by turns movingly lyrical, gently…
The Cunning Little Vixen
SYDNEY CHAMBER OPERA: Something is stirring in the depths of the forest. This vibrant production is chamber opera, but not…
Hamlet
MTC: For all its strengths, there’s something of the air of a Hollywood sequel about this new production of Shakespeare’s…
Pin Drop
MALTHOUSE: A sudden noise that wakes you in the night. A shadowy movement glimpsed down a darkened alley. A visceral,…
we unfold
SYDNEY DANCE COMPANY: Now it’s Western Australia’s turn to experience this powerful production choreographed by Rafael Bonachela.
Neon Lights
WA BALLET COMPANY: The company’s first foray into the State Theatre Centre sees the presentation of four works, including two…
The Harbinger
LA BOITE INDIE: Produced by Dead Puppet Society, this new production uses puppetry and stage illusion to question the role…