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Book review: Borderland, Graham Akhurst
A coming-of-age tale about a city-born Indigenous teenager.
ACMI announces new programs for teachers and students for 2024
Amping up the digital literacy and creativity of students and teachers is a key focus for the national museum for…
UPLANDS revolutionises how we engage with Aboriginal Art Centres
UPLANDS is a new digital portal that allows you to visit Aboriginal art centres, virtually, and sit and listen to…
Wintjiri Wiṟu tells ancient stories in the sky
The world’s largest daily drone show offers deep spiritual connection in the heart of Australia – Uluṟu.
Cultural collaboration between remote Kimberley art centres
Through collaboration and shared resources, remote Kimberley art centres strengthen cultural practice and promote a unique identity.
Tarnanthi 2023 weaves personal stories with skyward visions
From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…
Exhibition review: Vincent Namatjira: Australia in Colour, Art Gallery of South Australia
Namatjira's paintings examine the politics of history, power and leadership from a contemporary Aboriginal perspective.
The Moving State of Circus: opening keynote from the Australian Circus Summit
The keynote speech by Darcy Grant, Artistic Director of Gravity and Other Myths, presented last week at NICA’s Australian Circus…
Book review: Late, Michael Fitzgerald
A speculative 'what if?' novel inspired by Marilyn Monroe.
Interview with the creatives behind Sweet Juices
In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.