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Magazine review: Griffith Review 82: Animal Magic, edited by Carody Culver
The latest edition of 'Griffith Review' considers the theme of relationships – both tender and tense – between animals and…
LUME not Louvre? Leonardo da Vinci up next for immersive spectacular
Viewers will receive an intimate encounter with Leonardo da Vinci's 'Mona Lisa' on THE LUME's big screens – closer than…
Under a wet blanket: navigating the Australian arts ecosystem as First Nations artists
It's time that First Nations artists were allowed to be in the driver's seat and not confined to the passenger's.
Film review: Napoleon
Ridley Scott’s interest in ‘great men’ and strong female characters is once again on display, but even at 158 minutes,…
Hands on the art please
Artist and designer Lucy Simpson offers an experience of Country for gallery-goers living with disability, in a new sensorial installation.
Hip hop a catalyst for new collaboration and growing audiences
Powerhouse’s Lisa Havilah speaks about a new strategic partnership with Blacktown Arts that will amplify Western Sydney voices through music,…
Music review: Mushroom 50 Live concert, Rod Laver Arena
A star-studded line-up celebrating Australia’s best music from the past 50 years.Â
Performance review: Son and Wolfgang’s Magical Musical Circus, Playhouse Theatre, QPAC
A Circa double bill featuring new work from First Nations-led ensemble Circa Cairns, and a family-friendly reimagining of Mozart and…
Theatre review: I ME SHE HIM ä½ å’Œæˆ‘å’Œå¥¹å’Œä»–, Bluestone Church Arts Space
The first English adaptation of Stan Lai’s 1998 play retains its cultural nuances and asks how we can reconcile with…
Performance Review: At the End of the Land, PICA Performance Space, WA
A non-linear and Lynchian solo performance, with visual and aural extravagances.