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Installation view of ‘Telly Tuita: Tongpop’s Great Expectations’ at Campbelltown Arts Centre. Photo: Jodie Barker. Installation and photography works inside a spacious gallery with sky blue walls.
Features

Self-representation and cultural references in the work of Telly Tuita

Telly Tuita’s solo exhibition signifies a full-circle moment.

David Attwood, ‘Post New Hoover Magic Stick and Hoover Aura II’, 2023. Hoover Magic Stick vacuum, Hoover Aura II vacuum, fluorescent lights, acrylic. Photo: ArtDoc, courtesy of the artist. A white wall gallery displaying artworks that appear to be household vacuums.
Features

Sculptor David Attwood on our obsession with domestic maintenance

ArtsHub speaks with David Attwood, a 2024 Hyper Local artist-in-residence at PICA, on the ideas that inspire his work.

‘A Body at Work’. Photo: Darren Gill. Two naked bodies lie on top of each other on a simple massage bed with their heads facing the viewer. A red light is illuminating their bodies.
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Theatre review: A Body at Work, La Mama

A dynamite debut solo from Frankie van Kan that delves into the world of strip clubs and sex work.

AIDS quilt on view at ‘Bloodlines by The Huxleys’. Photo: Supplied. A large quilt hangs inside a darkened gallery space with portrait photos of the many who lost their lives in the AIDS epidemic.
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Exhibition review: Bloodlines by The Huxleys, Abbotsford Convent

An incredibly moving exhibition that pays tribute to artists who lost their lives in the AIDS epidemic.

RENT: The Musical. Image is a diagonal shot of a line-up on stage of young men and women looking off to the left and singing.
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Musical review: RENT: The Musical, QPAC

This latest iteration of Jonathan Larson's hit show will captivate a new generation of music theatre lovers.

‘Ruff Trade’. Photo: Steven Dawson. Two performers in 16th century attire sitting on each side of a wooden table. One is looking toward the other, trying to make conversation.
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Performance reviews: Ruff Trade and Trans Woman Kills Influencer, Midsumma Festival

‘Trans Woman Kills Influencer’ leans into the modern day, while Steven Dawson’s ‘Ruff Trade’ is a devilishly good tragedy set…

‘The Renewal: A Village Dreams’. Photo: Courtesy of Woodford Folk Festival and Lachlan Douglas. A group of performers wearing white cluster around a woven dome, holding poles of light above them.
Features

Woodford's renewed approach to ritual

Woodford Folk Festival’s closing ceremony returned to its ritual roots – but this time, without the use of fire.

AACHWA’s Our Business: Aboriginal Art Centre Forum, Jambinu (Geraldton), 2022. Photo: Dragonfly Media. A figure with their back turned to the viewer, wearing an orange shirt with the words ‘PROMOTE EMPOWER CONNECT’.
Features

Art centres go above and beyond

The cross-sector benefits of community-controlled art centres.

Photo: Stelios Kazazis, Unsplash. Three sculptures of goddesses on the architectural column of the Parthenon.
Features

Australians fighting for the Parthenon Marbles’ return

A major campaign in Australia has been active since the 1980s in building a movement around the return of the…

‘The Nightingale and Other Fables’ upcoming at Adelaide Festival 2024, directed by Robert Lepage. Photo: Michael Cooper. A performer in traditional Chinese garment standing on a rooftop with a branch extending out into the violet night sky.
Features

Orientalism, a stain that taints Australian opera?

From yellowface to chinoiserie – Orientalism pervades Western stages, so will that include Adelaide Festival’s upcoming, lauded centrepiece opera?

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