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Exhibition review: John Meade: It’s Personal!, McClelland Gallery
Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.
Cabaret review: A Very Naughty Christmas, Alex Theatre
A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.
Prizes and competitions to enter in 2024
A go-to list of prizes and competitions across the visual arts, performing arts and writing and publishing in the first…
What our opera companies are offering in 2024
New leadership means new energy for major companies in an exciting year.
Must-see museum blockbusters in 2024
As Australians continue their love affair with all things ancient Egyptian, some of our museums are also embracing VR to…
On the move: latest sector appointments
A new AD at Queensland Ballet, Chamber of Arts and Culture WA appoints new CEO, and more.
Anti-resolutions for 2024: 6 things to embrace
Sometimes it is the anti-resolution – the least well-kept goal – that is the one to shake you up and…
Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House
Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar. Â
Book review: The Things We Live With, Gemma Nisbet
Nisbet's book offers food for thought about the meaning we make from the objects in our lives and the ways…
Opera review: Galileo, Victorian Opera
A bold and epic new opera from Richard Mills that almost reaches its potential.