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Roller Coaster. A dark stage has a backdrop of neon lights in the top right hand corner of the frame, saying 'Ocean Side Rolla Rama'. In a spotlight in the centre of the stage are two women, one wearing skates and multi-coloured socks has crashed to the ground. Behind her a commentator in a purple shirt with a headset mic is crouching and shouting - is she cheering or jeering? We don't know.
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Aesthetics, happiness and social cohesion: celebrating art’s most important values

Everybody NOW!’s 2023 production ‘Roller Coaster’ had measurable benefits in terms of social wellbeing, empowerment and connection, a new report…

A wooden table, green pendant light and abstract wooden chair in a white room.
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New TarraWarra exhibitions connected by geometry

Peter Atkins, Dana Harris and the TarraWarra Museum of Art collaborate for three concurrent exhibitions.

Universal Everything. A woman stands in front of a large screen. On the screen, two tall structures react to her movement.
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Universal Everything unveils generative installations at ACMI

Characters are created via display technologies to produce hyperrealist, nature-inspired designs.

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Theatre review: Grand Theft Theatre, Adelaide Festival

A recreation of memorable theatrical experiences forms the basis of this show.

Penelope Cain, 'Ice-told stories of lead and rope' opening at POP. Image (cropped): Courtesy of the artist. Amundsen source material courtesy of the National Library of Australia. An artwork with two separate images spread across four panels. On the top is an archival image of a group of four explorers in a snowy environment looking at a small tent with flats on it. On the bottom is a photo of a silver rock.
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POP exhibitions tapping into the zeitgeist

Two artists explore our world pre-climate disaster, and history that lends insight to past and future.

Elderly man is sitting on a step ladder in a black suit with his eyes closed. He is dipping a paint brush into a tub held by another person and on the wall is a large splash of red paint.
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Performance reviews: Marina Abramović Institute: Takeover, Adelaide Festival

A suite of duration works from different artists in different spaces.

Sox men perform on a stage lit in blues and purples. They wear traditional Irish caps, dark trousers and tan-coloured caps. One leaps into the air exuberantly; the other five lean in to listen to his percussive footwork when he lands.
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How to evolve an art form

Former Irish dance champion Brent Pace, an Italian-Australian boy from East Keilor, is trying to push the art form in…

Casey O’Shaughnessy and Katie Rynne join BIGSOUND 2024 as Music Programmers. Photo: Jess Gleeson. Two Caucasian women standing inside a sound studio with vinyl covering a shelf to the right. Standing on the left is Casey with blonde plaits, a striped long-sleeve top and black paints. On the right is Katie with a coloured, heat-map like dress paired with black long sleeve underneath, she has amber hair.
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What’s new at BIGSOUND 2024

Brisbane’s annual music industry event provides vital opportunities for musicians with new Music Programmers announced.

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WOMADelaide 2024 – more than music

WOMADelaide offers exceptional musical performances from around the world... but that's not all.

Tactile tours. Image is a hand touching the lips of a plaster cast of the bottom half of a face.
Features

How to create exciting and accessible tactile tours

The key to creating successful tactile tours is preparation, treating visitors with respect and not overloading them.

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