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Lead Us Not. Image on left is a book cover in beige of a bare arm reaching round a wall. On the right is a head shot of a young smiling woman with shoulder length hair and blue eyes.
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Book review: Lead Us Not, Abbey Lay

What happens when a friend ghosts you and you have no idea why?

DakhaBrakha. Image is a concert stage with a huge circular abstract orange/yellow pattern on the back wall, and in front four black clad musicians, three of them women with tall black stovepipe hats and the fourth a man with a bald head.
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Music review: DakhaBrakha, Hamer Hall

A masterpiece in political artistry.

Nani Puspasari. Image is a ceramic of an orange creature with a facemask like appearance, little legs and arms.
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Exhibition review: Nani Puspasari, Manningham Art Gallery

Chinese-Indonesian artist Nani Puspasari weaves a vibrant universe between childhood and adulthood.

'Chickenosaurus' installation view from 'NOT NATURAL' at Science Gallery Melbourne. Photo: Matthew Stanton. Graffiti-like artwork of a hybrid chicken and dinosaur in an exhibition space with a large window on the left hand side. Four young people are hanging out in the space.
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Exhibition review: NOT NATURAL, Science Gallery Melbourne

Artistic and scientific works that highlight the relationship between humanity and the natural/unnatural.

Work from the series 'Cocoon' by Terence Lin, selected for the MAPh 'TOPShots 2024' exhibition. Image: Supplied. A digitally manipulated photographic work featuring a close lineup of oval portraits of Asian youths smiling with their eyes closed and wearing red bow ties with a white shirt. The portraits populate a red background.
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Opportunities and awards

Australia's biggest open studios event calls for registrations, plus portraits and landscapes taking out wins and Tasmanian Theatre Awards announced.

Powerhouse Castle Hill. Image: Rory Gardiner. The front entrance to Powerhouse Castle Hill, featuring a minimalistic silver-panelled architecture and large glass doors that also reveals the second floor.
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A new storehouse for the Powerhouse Collection

Powerhouse Castle Hill will provide new levels of access to its exceptional 500,000-strong collection while Powerhouse’s $1.2 billion renewal is…

a montage of sepia toned 18th and 19th century illustrated portraits of 18th and 19th century Australian convicts and First Nations people.
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Major new museum show unshackles convict stories from myth

The exhibition spotlights freedom fighters among Australia’s early convicts to reframe well-worn narratives around their fates as dispossessed victims. Instead,…

Nan Goldin. A group of people dancing the twist in a room.
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Exhibition review: Nan Goldin: The Ballad of Sexual Dependency, Art Gallery of Ballarat

Goldin's photos of the 1970-1980s are both intimate and confronting.

Photo: Margarida Afonso, Unsplash. Spools of colourful yarn stacked together with a pair of knitting needles.
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Australia's capital gearing up for fibre enthusiasts

Canberra welcomes visitors from around the country to the inaugural Australian Yarn Show (23-24 March) and the Canberra Wool Expo…

Qui a tué mon père. A man sits on a stage in front of a backdrop projection of an open road.
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Theatre review: Qui a tué mon père (Who Killed My Father), Adelaide Festival

A personal polemic addressing France’s neglect and contempt of the working class poor.

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