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Band of Brothers. On the left are two men in their 30s/40s with black T shirts, one looking at the camera, the one behind him looking down. In another photo on the right are two men of Egyptian appearance, one with a fez and fulsome beard and moustache, another behind in flat cap and a moustache.
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Music review: Band of Brothers, Playhouse, Adelaide Festival

A magical melange of new and old musical forms.

The Government Inspector. Three men in brightly coloured shirts look at the phone the middle one is holding. A woman behind is peering over his shoulder to see too. They all look concerned.
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Theatre review: The Government Inspector, Clubhouse Theatre, Townsville

A riotous Aussie adaptation of Gogol's classic work.

Roller Coaster. A dark stage has a backdrop of neon lights in the top right hand corner of the frame, saying 'Ocean Side Rolla Rama'. In a spotlight in the centre of the stage are two women, one wearing skates and multi-coloured socks has crashed to the ground. Behind her a commentator in a purple shirt with a headset mic is crouching and shouting - is she cheering or jeering? We don't know.
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Aesthetics, happiness and social cohesion: celebrating art’s most important values

Everybody NOW!’s 2023 production ‘Roller Coaster’ had measurable benefits in terms of social wellbeing, empowerment and connection, a new report…

A wooden table, green pendant light and abstract wooden chair in a white room.
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New TarraWarra exhibitions connected by geometry

Peter Atkins, Dana Harris and the TarraWarra Museum of Art collaborate for three concurrent exhibitions.

Universal Everything. A woman stands in front of a large screen. On the screen, two tall structures react to her movement.
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Universal Everything unveils generative installations at ACMI

Characters are created via display technologies to produce hyperrealist, nature-inspired designs.

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Theatre review: Yentl, Malthouse Theatre

'Yentl' returns after two years in a new venue and with a new lead performer.

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Theatre review: Grand Theft Theatre, Adelaide Festival

A recreation of memorable theatrical experiences forms the basis of this show.

Penelope Cain, 'Ice-told stories of lead and rope' opening at POP. Image (cropped): Courtesy of the artist. Amundsen source material courtesy of the National Library of Australia. An artwork with two separate images spread across four panels. On the top is an archival image of a group of four explorers in a snowy environment looking at a small tent with flats on it. On the bottom is a photo of a silver rock.
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POP exhibitions tapping into the zeitgeist

Two artists explore our world pre-climate disaster, and history that lends insight to past and future.

Elderly man is sitting on a step ladder in a black suit with his eyes closed. He is dipping a paint brush into a tub held by another person and on the wall is a large splash of red paint.
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Performance reviews: Marina Abramović Institute: Takeover, Adelaide Festival

A suite of duration works from different artists in different spaces.

Sox men perform on a stage lit in blues and purples. They wear traditional Irish caps, dark trousers and tan-coloured caps. One leaps into the air exuberantly; the other five lean in to listen to his percussive footwork when he lands.
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How to evolve an art form

Former Irish dance champion Brent Pace, an Italian-Australian boy from East Keilor, is trying to push the art form in…

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