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No Church in the Wild. Murray Middleton. Image on the left is an author upper body shot of a white man in his 20s/30s sitting at a wooden table with his hands clasped on the table, and wearing a blue jumper. On the right is the book cover, which features a facade of a block of commission flats with the book's title laid over the balconies.
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Book review: No Church in the Wild, Murray Middleton

A complex and confronting story about migrant youth from the towers of Melbourne's inner west, their teachers and the local…

Wool clock from 1942 Uluru Collection by Dame Zandra Rhodes, donated to Powerhouse. Image: Supplied. A model with dramatic makeup lying in a forest seen from bird's eye view with a patterned wool clock covering her body.
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British designer Dame Zandra Rhodes donates Uluru Collection to Powerhouse

Garments inspired by Rhodes' 1970s trip to Australia will enter Powerhouse's collection.

Image is a conceptual artwork that is a frame of 64 rectangular shapes laid out in eight rows with a black bold framework around and between them. Characters.
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Exhibition review: Characters, Hayden's Gallery

Six contemporary women artists using conceptual art to explore change, process and the philosophy of art.

I Wish... In front of a backdrop of a huge moon in the night sky, four circus performers dressed in yellow, blue, red and green perform, with two performers holding aloft a third who is doing the splits, while the fourth performer stands at the back holding up an Astera light tube.
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Performance review: I Wish..., Theatre Royal

Children's circus in a collaborative effort that gently introduced young visitors to physical theatre.

Mandy Martin, ‘Adelaide Railway Station 2 (detail)’, 1973, screenprint, ink on paper, Ann Newmarch Collection. Image: © the Estate of the artist. A vintage coloured photograph showing three woman in farmer wear walking in a field. Two others are leisurely seated at the back.
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If you don’t fight … you lose

The latest exhibition at FUMA spotlights the overlooked contributions of Adelaide’s Progressive Art Movement and the history of student protests.

Image is a dark gallery with a shiny wooden floor and a white box seat. On the walls are two 3D pieces, one a cupboard like work and the other comprising abstract faces.
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Exhibition review: Odalala, nireekshane and Uyirvu, Arts House

Australian and international artists examine histories of caste, migration, gender and sexuality.

The King's Player. Image is a bald white actor dressed in scruffy Middle Ages clothes with his mouth agape and his arms stretched out in surprise. Behind him is a large yellowish backdrop featuring a circle with a picture of a juggler in it.
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Theatre review: The King's Player, Alex Theatre

A one-man comedy show inspired by 'Hamlet', and told from the perspective of a lowly minstrel desperate for promotion.

Illuminate Adelaide. A silhouetted figure gazes at an art installation comprising red threads of light in a large dark space.
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Illuminate Adelaide reveals 2024 program

From free illuminations to experimental music, the winter festival returns to Adelaide for its fourth year.

The Story Thief, Kyra Geddes. Image on left is an author shot of a white woman in a white shirt, with a brown bob, smiling at the camera and leaning on a mantelpiece. On the right is the book cover showing the back of an 1800s woman in black striding along a dusty outback track with her back to us.
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Book review: The Story Thief, Kyra Geddes

A feminist perspective on Henry Lawson's 'The Drover’s Wife'.

Revealed. Image is of people in a gallery looking at Aboriginal paintings on the walls.
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New era for largest Aboriginal art exhibition with Aboriginal Arts Centre Hub WA at the helm

AACHWA is leading Revealed 2024, in partnership with Fremantle Arts Centre.

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