A diasporic theatrical take on AI, with an Asian immigrant mother in futuristic Brisbane

In a new bilingual theatre production, an immigrant mother seeks solace in a humanoid following the death of her daughter.
Anna Yen plays Mrs Chen in ‘AI May’, an elderly migrant mother grappling with grief in an increasingly lonely society. An elderly Asian woman wearing a sage coloured hoodie is holding a burning incense in her hands, she appears to be praying with her eyes closed.

AI May is a new bilingual play by Taiwanese/Australian playwright, director and founder of Embodi Theatre, Amy Chien-Yu Wang. With surtitles in both English and Traditional Chinese, the show details the story of a grieving immigrant mother as she interacts with a humanoid robot designed to simulate her deceased daughter.

It’s a uniquely diasporic take on Artificial Intelligence (AI) technology, thinking about human connection and unconditional love in a culture where trauma and grief are often internalised.

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Celina Lei is ArtsHub's Content Manager. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Celina is based in Naarm/Melbourne. Instagram @lleizy_