Simon Denny, Mine, 2019, installation view at Mona. Image courtesy Mona/Jesse Hunniford
For the past decade, Jane Clark’s job has been writing the pithy essays you’ll find on The O, the tablet-style mobile technology that the Museum of Old and New Art (Mona) uses instead of wall labels.
This year The O even evolved into an artwork itself, providing augmented reality experiences for Simon Denny’s Mine.