The allure of monsters in an age of horror

Trump, terrorism, murder: nightmares dominate the news. So why do we turn to fictionalised villains for entertainment?
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Lars Eidinger in the title role of Schaubühne Berlin’s Richard III. Photo credit: Arno Declair.

For all its wilful misrepresentations of the last Plantagenet king, who it depicts as a twisted, Machiavellian psychopath, Shakespeare’s Richard III has given us one of the greatest stage villains of all time. Witty, charismatic and utterly ruthless, Shakespeare’s hunchbacked king has inspired some truly memorable performances. But what is his appeal to contemporary audiences – and what resonance does the play have today?

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts