Thinking small a risk for Perth performers

Are Western Australia’s theatre-makers doing themselves a disservice by focusing on small-scale, easily-tourable works?
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The Last Great Hunt’s Fag/Stag. Photo by Jamie Breen.

Perth’s thriving independent theatre-makers may be damaging their artistic development by placing too much emphasis on creating easily tourable small-scale productions, according to Susannah Day, producer at The Blue Room Theatre.

‘Five years ago, artists and independent companies were all looking to have their work remounted by a major or having their work picked up and taken to a bigger and better stage,’ she said. ‘Then in 2009, I think, when three of our Perth-created works got picked up for the New York Fringe, including Alvin Sputnik, that was a catalyst for artists to realise that actually maybe the dream of having a major actually pick up their work was no longer as valid.’

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts