Alex Martinis Roe, It was about opening the very notion that there was a particular perspective 2015–17 (still of a ‘Bread and Dripping’ (1981) production still, courtesy of Margot Nash), three-channel video installation: HD video and 16mm film transferred to video with sound, including film material courtesy of Helen Grace, Pat Fiske and Margot Nash. Courtesy the artist.
To mark the closing of the exhibition Unfinished Business: Perspectives on art and feminism at the Australian Centre Contemporary Art in Melbourne a symposium was held on Isms: Feminist art and editorial histories.
